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Intermède 01:47
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about

I think there can be no more appropriate time to play, to hear, or to issue a CD of Olivier Messiaen's work entitled Quartet for the End of Time, than now: now, when Europe is experiencing the aggressive attack by the armed forces of Russia and Putin's regime on the free autonomous Ukraine. We find ourselves in the time of a war that once again is dramatically changing the world. Messiaen wrote this apocalyptic composition while he was held in a prisoner of war camp, during World War II. And probably he was experiencing fear, disillusion and grief, and living in existential distress, much like the Ukrainian people today.

Jozef Lupták, march 2022


L’abîme, c’est le Temps, avec ses tristesses, ses lassitudes.
Les oiseaux, c’est le contraire du Temps; c’est notre désir de lumière, d’étoiles, d’arcs-en-ciel et de jubilantes vocalises!
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The abyss is Time with its sadness, its weariness.
The birds are the opposite to Time; they are our desire for light, for stars, for rainbows, and for jubilant songs.
Olivier Messiaen

credits

released November 8, 2022

Jozef Lupták - cello
Peter Biely - violin
Ronald Šebesta - clarinet
Nora Skuta - piano

Recording engineer: Martin Čema, Cobra Sound
Mix and mastering: Martin Čema, Jozef Lupták, Andrej Šuba

Recorded on 20/09/2019 in the Klarisky concert hall at the Konvergencie Chamber Music Festival.

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Konvergencie Chamber Music Festival Bratislava, Slovakia

Konvergencie is about coming closer. Chamber music has to do with convergence and communication: between the artists and between performers and the public. It is like a conversation which, once commenced, doesn't end but keeps on developing. Listening to chamber music, just like communication, develops the human being inwardly: our sensitivity to the world, to the others, and to our own selves. ... more

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